The Tourists lingers in this tension, capturing the inescapable intimacy between desire and mortality, no matter the setting.
Makeup by Joseph Hinds
The Tourists (2014) explores the liminal space between sex and death, using hotels as a metaphor for transient stages where life’s most primal experiences unfold. These rooms, steeped in history, absorb the echoes of those who pass through; some whisper with indulgence, others hum with something more sinister. A roadside motel might carry the weight of countless untold stories, while a grand hotel offers the illusion of control, yet both exist within the same cycle of arrival and departure.
The Tourists lingers in this tension, capturing the inescapable intimacy between desire and mortality, no matter the setting.
The Tourists lingers in this tension, capturing the inescapable intimacy between desire and mortality, no matter the setting.
